The awesome folks at Grimdark Magazine are putting together an anthology!
BUT THEY NEED YOUR HELP!!!!!!
The team at GRIMDARK MAGAZINE want to get fantasy authors into the shoes of their established antagonists and present you with 15+ dark fantasy stories in a beautiful print tome. We’ve engaged a range of fantasy authors with established worlds including R. Scott Bakker’s The Second Apocalypse, Courtney Schafer’s Shattered Sigil, Adrian Tchaikovsky’s Shadows of the Apt, Teresa Frohock’s Los Nefilim, Jeff Salyards’ Bloodsounder’s Arc, and many more.
Wrapped in Tommy Arnold‘s beautiful cover art, designed by crowd favourite Shawn King, and with a stretch goal to fill it with Jason Deem‘s interior art, Evil is a Matter of Perspective will be an eye-catching addition to your shelf once you’re done seeing the world through evil’s eyes.
We’ve managed to rustle up a big range of authors from epic fantasy, dark fantasy, and grimdark fantasy to put together this anthology:
- R. Scott Bakker (The Second Apocalypse)
- Adrian Tchaikovsky (Shadows of the Apt, The Tiger and the Wolf)
- Michael R. Fletcher (Manifest Delusions)
- Shawn Speakman (The Annwn Cycles)
- Teresa Frohock (Los Nefilim)
- Kaaron Warren (The Gate Theory, Mistification)
- Courtney Schafer (The Shattered Sigil)
- Marc Turner (Chronicles of the Exile)
- Jeff Salyards (Bloodsounder’s Arc)
- Mazarkis Williams (The Tower & Knife)
- Deborah A. Wolf (The Dragon’s Legacy)
- Brian Staveley (Chronicle of the Unhewn Throne)
- Alex Marshall (Crimson Empire)
- Bradley P. Beaulieu (The Song of the Shattered Sands, The Lays of Anuskaya)
- Matthew Ward (Shadow of the Raven, Coldharbour)
The cover art is completed and we’ve got an experienced team of editors, designers and artists to back up our list of exemplary authors and make the project shine.
Once funded, short stories will be delivered in August and September for editing, which should take us through to the end of November to have the copy complete and ready for Shawn to lay out. Once completed, the team at US-based Thomson-Shore will print three versions of it (paperback, hardcover, and special edition) to be sent to our distributor in Texas and delivered to our backers.
For More Details Go to the KICKSTARTER Page. And if you’re feeling brave and want to be brutally murdered (and pledge $175) I’ll Tuckerize you, forever immortalizing your terrible death in fiction!
It’s a thing!
SWARM AND STEEL will be released by Talos Press (an imprint of Skyhorse/Night Shade Books) in August of 2017!
And a blurb I stole from the proposal we sent to the publisher:
Zerfall awakens in an alley, wounded and unable to remember her past. A Täuschung assassin pursues her into the endless wastes of the Basamortuan Desert. Upon catching her he hacks off her tattooed right hand and leaves her for dead. Her scabbard is empty and the need for answers and that sword will draw her back to the city-states. The more she learns, the less she likes the person she was.
When Jateko, a naïve youth, accidentally kills a member of his own tribe, he finds himself outcast and pursued across the desert for his crimes. Dehydrated and dying, he hallucinates Harea, the Basamortuan God of the Sands. The god sends him west, into the city-states.
Hunted by assassins and bound by mutual need they will face the Täuschung, an ancient and deranged religion ruled by a broken fragment of Zerfall’s personality. Swarm, the Täuschung hell, seethes with imprisoned souls. But where gods—real or imagined—meddle in the affairs of man, the cost is high.
A long prophesied evil is born, an endless hunger. The All Consuming is risen.
The basic game mechanics of chess remain unchanged. Pawns move as pawns move, Kings move as kings move, and the little horsey guys do what little horsey guys do.
Here is where it gets interesting.
instead of being a two person game, Group chess requires at least three players on each side. If you can manage five players a side, do that. You can work out variations with fewer players if you must.
The Three Players
The Royalty: The person playing the Royalty can move only the King and Queen pieces. As the monarchy they get to send orders downward through their General.
The General: The person playing the General can only move the pawns. They receive orders from the Royalty as to the disposition of troops. Here is where it gets interesting. They can chose to ignore those orders and pass along orders of their own to the Rooks, Bishops, and Knights.
The Elite: The person playing the Elite can move only the Bishops, Rooks, and Knights. They receive orders from the General which have (maybe) been passed down from the Royalty. Just like the General can ignore the orders of the Royalty, the Elite may ignore the orders of the General. If you have enough players, get one person to pay the Rooks, one to play the Bishops, and one to play the Knights.
Let the chaos ensue.
The awesome folks at Talos Press (an imprint of Skyhorse Publishing in New York) will be publishing the next Manifest Delusions novel! We’re currently bouncing title ideas around (they won’t let me call it Fred) and discussing artistic direction for the cover (they won’t let me do a crayon sketch of the characters). I can’t wait to see what comes of all of this. Maybe someday down the road I’ll share the list of titles we’ve put together so far; we have about 30.
Tentative release date for this novel is mid-2017.
Without giving anything away, I can say that this book takes place in the same world as Beyond Redemption but introduces a completely new cast of characters. It is not a sequel.
“What,” you say, “not a sequel? But I thought—”
There will be a sequel!
I’m currently giving The Mirror’s Truth—which takes place where Beyond Redemption leaves off—one last read through and making some minor tweaks before sending it off to the lunatic who has agreed to edit this monster. You’ll see many of your old friends and most of them will likely try and kill you. I’m also researching artists, trying to find the mad genius who will work for pocket lint and grilled cheese sandwiches. I keep thinking about running a Kickstarter for art and editing expenses, but if you sent me money my Doppels would just drink it. Bastards.
Anyway, my editor at Talos has asked if I’d be interested in including an excerpt from the as-of-yet untitled novel they’re publishing in The Mirror’s Truth and I think that’s a brilliant idea!
I’m self-publishing this novel and aiming to release it by November, 2016. So if you’re jonesing for some maddark, I should have two new novels coming your way in the next 12ish months.
Writers are awesome at giving other writers advice. We’re even better at ignoring it.
For no real reason whatsoever I decided to ask the folks of the Grimdark Fiction Readers and Writers facebook group what they thought the best/favourite advice they ignore was.
For me it’s ‘write every day.’ I don’t. Not even close.
Here are their responses. This is pretty much a cut and paste job.
Scott Oden “Kill your darlings.” Hell, no, I say! Instead, I find a way to make my darlings relevant to the story.
Mark Lawrence revise revise revise
Auston Habershaw Write every day, for me, too. I’d add in the whole “finish what you write.” Generally good advice, but some drafts are such a train wreck it’s best to put them out of their misery early.
Richard F. Gallipeau Exposure bucks?! Someone on the other thread said finish the first draft completely before revising. Not only do I not write in sequence, I’ll “pre-edit” a little bit as I write the other sequences. I’m going to start trying to finish the draft as completely as possible before editing anything next chapter.
Jeff Bryant …write every day and don’t think about world building while you are writing.
Mark Turner ‘Lay down the bones of the story first. Go back and flesh it out later.’ I can’t remember where it came from, but I always think of it when I start something, then find I’m unable to do it. Gotta add some flesh as I go. Scared I’l forget something good otherwise.
Kareem Freshpots Mahfouz Sometimes the pace needs to come down so it can build back up. Oh no’s it doesn’ts precious!!!!!
Jonathan Ashman Agree. I don’t write every day either. I write when I want to, otherwise it’s shit heh
Jake Scholl Write what you know is a limiting thing I don’t follow. Also I don’t write everyday.
Wade Garret Do you, don’t Do someone else; if I wanted to read Tolkien I would…
Dick Hitchcock “Don’t quit your day job.” Granted, I don’t actually have one, and haven’t had one in almost 4 years…
Anna Smith-Spark No one’s ever given me writing advice. They know I’d either punch them or cry.
Thomas James Clews Use less words make them tighter. I struggle with this a lot as I tend to enjoy being verbose.
Wade Garret Be a Storyteller 1st and a Writer 2nd
Quint VonCanon use as many German words and names as possible.
Matthew Summers Never revise as you go… yeah… that isn’t happening.
Charles Phipps Write in other ways than the first person.
Today I have the great pleasure of hosting a guest post by Brandon Draga, a fellow Torontonian who has fled to the ‘burbs. He’s the author of three books, the most recent of which, The Council of Tymenthia: The Four Kingdoms Saga Book 3, is to be released shortly! Links to those books can be found below.
And now…without further things and stuff…
Living the Dream: A Working Writer’s Survival Guide
*Looks at watch*
Hmm, looks like I have a book coming out soon…
So a while back I told the internet that, in anticipation/promotion of said book, I would do a series of guest blog posts, and my lawyer tells me that everything you tweet is legally binding.
He also tells me that lobster is actually a sentient fruit.
I should find a new lawyer.
Anyway, I had actually planned to write this post on my own site months ago, except for the fact that, inevitably, I arrived home on the night I planned to post it and promptly deflated, not unlike Beymax in Big Hero Six once he learns that he has been a successful helper. This is more or less a nightly ritual with me, and in a way it’s largely what helped spur this blog idea.
I’ve made it clear before, in various media, that I have a full-time job that is begrudgingly not writing. Many writers will attest that hocking yarn for a living doesn’t guarantee financial security, and so I subsidize my frivolous literary career aspirations by working as a retail pharmacy technician. This means that I have staggered days off, work one day during the weekend, and frequently finish work between 7 and 10pm every day. Further, the interesting combination of having to be “on” both mentally (dealing with prescription meds = kind of a big deal) and socially (customer service) means that by the time I cross the threshold of my home each night, I usually only have the creative energy to watch the Game Grumps fruitlessly try to complete a level of Mario Maker on YouTube.
All that said, I still manage to write. Heck, in the last year I wrote one novel and four short stories, all on top of attending a bunch of events to promote the two novels and picture book I wrote the year before. I won’t lie to you, Marge, writing is tough. The brain is fickle, and there is not nearly enough time in the day to reconcile what we want to do and what we are required to do, and once you have people paying you to do what you want, but still have to do what is required, some days you can feel not unlike you’re being chased by a dire lava bear while wearing cursed pantaloons of encumbrance.
Other days, however, work like magic. You hit your word count, you wrap a chapter, everything comes up peaches and wildebeest. The trick is to try and mitigate the lava bear days in favour of the wildebeest days, and that can be tough.
I have no doubt that some of you are in a similar position as I, whether you’re writing books, poetry, songs, or maybe you’re a freelance artist. So, I decided I wanted to bestow unto you, faithful readers, my entirely finite wisdom in the world of blue-collar professional creativity. Some of these bits of advice may be completely irrelevant to your situation, of course, or only moderately so, so please be sure to add salt to taste.
Know when you are most creatively energetic
For me, this is mid-late morning, before I’ve spent hours counting blood pressure pills and explaining people’s own insurance policies to them. I make a point of doing everything I can to get an hour or two of writing time in before I head off to work. If I’m lucky this can usually net me around 500 words or so, and if I’m really lucky it can net me my target 1000. Which leads me to my next point…
Have a target
I try my hardest to write 1000 words every day. If I’m on-point that day, I’ll usually write around 500 words before work, and another 500 on my lunch break. I can’t speak enough about how great the word count box in Kingsoft Office is for this. Some people swear by Scrivner, total masochists adore Write or Die, but for me little is quite as satisfying as looking down at the bottom of my screen and seeing the steady increase of what is essentially my high score meter.
Wherever you are, be ready to write
This was a habit I formed early on during my writing The Summerlark Elf. Summerlark was a NaNoWriMo project, and that meant 1,667 words per day or bust. Because I was young and hungry way back in the heady days of November 2013, I was able to sit down and tap out a few hundred words at a moment’s notice. As a means of augmenting this, I got an old Android tablet from my older brother, later purchasing a bluetooth keyboard for it. This eventually got upgraded to a hand-me-down iPad, and finally to the new laptop my family all pitched in to get me this past Christmas. During NaNo ’13, having a portable means of getting my ideas down was a huge help in getting me to hit, and often surpass the magic 1,667. Once I started working on The Missing Thane’s War, there were days where my tablet was the only way I was getting any writing done at all. Speaking of…
Never, ever assume you have, or will later have, free time to write
This is part “don’t procrastinate” and part “learn how to multitask”. On the one hand, in the rare instance during a workday when you find that you have an hour or two unburdened by the basic responsibilities necessary to function as a mature human, you are squandering that time if you aren’t writing, because there is a good chance that time will not be there later in the day, or even later in the week.
Quasi parum et ad momentum quo discurrentes arripere non abscidit caput pulli, as they used to say in 2nd century BCE Rome.
Or maybe it was just Carpe Diem. Rolls of the tongue a whole lot better, that.
On the other hand, multitasking. In order to operate as a functional human, as mentioned above, you probably need to do banal chores like sweeping the floors and washing the dishes. Further, you probably have to feed yourself as a means of ensuring your survival and general well-being. Where the latter is concerned, you have in those moments between bites prime writing time. Writing on my lunch break at work has been the only way I’ve managed to meet any of my deadlines, especially now that most of them aren’t self-imposed. You’ll find that your ability to write one-handed will improve vastly, and in turn your typing speed when working with both hands will improve as well.
Try your hardest to structure your schedule around your creative high points
This one can be a little trickier, but it’s something that’s much easier the longer you commit to it, not unlike the act of writing itself. Remember way back in Point One when I mentioned that we all have our time when we’re most creatively efficient? Well as a means of maximizing that time, it helps to ensure that anything that might get in your way be otherwise taken care of beforehand, the more well in advance the better.
As I mentioned before, I tend to work best in the mid-late morning period, so this means showers are taken the night before, as are dishes cleaned, emails sent, and food made for the next day. It also means an average wake-up time of between 7 and 8am. If you’re the type of person who writes best at night, then by all means feel free to flip all of this as best it suits you. Remember: the key to all of this is to do whatever you can to wrench those precious few extra moments from the clutches of day-to-day life, so planning is totally key.
Now of course, as with any good list, there needs to be some point that seems to completely contradict the ones I already made (my lawyer told me that, too). So here it is, as follows:
Manage your expectations on a daily basis.
Life is unpredictable. Stuff happens, and as hard as you try to avoid it, there will be days where your best efforts will be for naught. Maybe the battery on your laptop went earlier than expected, or maybe you got tied up with an unexpected chore at home during your golden writing hours. Maybe, against your will, you simply cannot make the words happen that day.
This is perfectly okay.
Lots of burgeoning writers I’ve seen will take a bad day or two as a sign that they maybe aren’t cut out for this writing thing, or that maybe the time isn’t right. This kind of self-doubt (and believe me when I say that every author struggles with self-doubt) is especially poisonous, and so the best thing you can do in this situation is to step back, take a deep breath, and remember that this is just one day.
I mean, at the end of the day, writing is a tough gig – no one ever really said that it would be easy, though. Except of course for the countless people who pledge daily the age-old mantra “I should write a book.” and then proceed to never do so. Hopefully these tips will help you not be one of those people, because when all is said and done, the most important thing is that the writing gets done, regardless of what odd hour you need to bathe to do so.
Brandon Draga – The Bio
Brandon Draga was born in 1986, just outside Toronto, Ontario. His love of all things fantasy began at an early age with games like The Legend of Zelda, Heroquest, and Dungeons and Dragons. This affinity for the arcane and archaic led to his studying history at York University from 2005 to 2011. In late 2012, he began writing a D&D campaign setting that would lay the groundwork for the world of Olhean, the setting for his “Four Kingdoms Saga” novel series, compared by critics to the works of Terry Brooks, Michael J. Sullivan, and R.A. Salvatore. Brandon has also proven that SF/F can be made accessible at any age, writing the lauded picture book “Dragon in the Doghouse”. Brandon still lives just outside Toronto, and when he is not writing enjoys skateboarding, playing guitar, and playing tabletop games.
The ever awesome Judy Neidecker did a map for Beyond Redemption a while back and you can find that map here: http://michaelrfletcher.com/beyondwiki/
The German release will include that map though the city-state names have been changed/fixed to match the release.
Check it out!
The word is BEYOND REDEMPTION will be released in German in January of 2017 and I’ve just received permission to share the cover!
For you German folks who tried to read my mad little book and were put off by my horrendous abuse of your language, I’m hoping you’ll give this a chance. Mirka Uhrmacher, my editor at Bastei Lübbe, has put a crazy amount of work into fixing the names and I’m really excited to see how folks react. Early feedback (thanks Kitvaria!) has been that this is an excellent translation.
In other news: I am putting the finishing touches on a plot outline for the first book in a new series. Just gotta wrap up the final cataclysmic scene.
I can’t wait to write this beast!
I keep meaning to write and post stuff here but real life and things that aren’t real life but can totally trick you into thinking they are keep getting in the way. Well….things are happening. Exciting things. And I can’t tell you about any of them because, much like my life, they ain’t real. Yet.
The mirror has been broken and my Reflections set free. My Doppels have shed their chains and left the basement and no longer fear my wrath. On the high side this means I am increasingly able to bend reality to my will. On the low side I am no longer capable of making good decisions. Some interesting shit shall manifest over the next few weeks.
Such exciting stuff going on….nope. Can’t share it yet.
What I can share: My editor, Mirka, at Bastei Lübbe, is freaking amazing. We’ve talked about how to handle the names and I’m really excited about how cool the translation is coming along. I’ve heard some early feedback from people who can actually read German that it is looking like a very true translation.
Otherwise I’m working on a new fantasy series which will be very different from Beyond Redemption. As I am once again working a full time job things are going much slower than I’d like, but they are going. If you’d like to support me so I can write full time, that would be excellent.
Quint VonCanon recently shared another piece. This one was inspired by Richard Anderson’s cover art and was done before Quint had even read the book!
You can find more of Quint’s work at Deviant Art!